Daphnis and Chloe

by Andrew Marvell


    i
Daphnis must from Chloe part:
Now is come the dismal Hour
That must all his Hopes devour,
All his Labour, all his Art.

    ii
Nature, her own Sexes foe,
Long had taught her to be coy:
But she neither knew t' enjoy,
Nor yet let her Lover go.

    iii
But, with this sad News surpriz'd,
Soon she let that Niceness fall;
And would gladly yield to all,
So it had his stay compriz'd.

    iv
Nature so her self does use
To lay by her wonted State,
Left the World should separate;
Sudden Parting closer glews.

    v
He, well read in all the wayes
By which men their Siege maintain,
Knew not that the Fort to gain
Better 'twas the siege to raise.

    vi
But he came so full possest
With the Grief of Parting thence,
That he had not so much Sence
As to see he might be blest.

    vii
Till Love in her Language breath'd
Words she never spake before;
But than Legacies no more
To a dying Man bequeath'd.

    viii
For, Alas, the time was spent,
Now the latest minut's run
When poor Daphnis is undone,
Between Joy and Sorrow rent.

    ix
At that Why, that Stay my Dear,
His disorder'd Locks he tare;
And with rouling Eyes did glare,
And his cruel Fate forswear.

    x
As the Soul of one scarce dead,
With the shrieks of Friends aghast,
Looks distracted back in hast,
And then streight again is fled.

    xi
So did wretched Daphnis look,
Frighting her he loved most.
At the last, this Lovers Ghost
Thus his Leave resolved took.

    xii
Are my Hell and Heaven Joyn'd
More to torture him that dies?
Could departure not suffice,
But that you must then grow kind?

    xiii
Ah my Chloe how have I
Such a wretched minute found,
When thy Favours should me wound
More than all thy Cruelty?

    xiv
So to the condemned Wight
The delicious Cup we fill;
And allow him all he will,
For his last and short Delight.

    xv
But I will not now begin
Such a Debt unto my Foe;
Nor to my Departure owe
What my Presence could not win.

    xvi
Absence is too much alone:
Better 'tis to go in peace,
Than my Losses to increase
By a late Fruition.

    xvii
Why should I enrich my Fate?
'Tis a Vanity to wear,
For my Executioner,
Jewels of so high a rate.

    xviii
Rather I away will pine
In a manly stubborness
Than be fatted up express
For the Canibal to dine.

    xix
Whilst this grief does thee disarm,
All th' Enjoyment of our Love
But the ravishment would prove
Of a Body dead while warm.

    xx
And I parting should appear
Like the Gourmand Hebrew dead,
While with Quailes and Manna fed,
He does through the Desert err;

    xxi
Or the Witch that midnight wakes
For the Fern, whose magick Weed
In one minute casts the Seed,
And invisible him makes.

    xxii
Gentler times for Love are ment:
Who for parting pleasure strain
Gather Roses in the rain,
Wet themselves and spoil their Sent.

    xxiii
Farewel therefore all the fruit
Which I could from Love receive:
Joy will not with Sorrow weave,
Nor will I this Grief pollute.

    xxiv
Fate I come, as dark, as sad,
As thy Malice could desire;
Yet bring with me all the Fire
That Love in his Torches had.

    xxv
At these words away he broke;
As who long has praying ly'n,
To his Heads-man makes the Sign,
And receives the parting stroke.

    xxvi
But hence Virgins all beware.
Last night he with Phlogis slept;
This night for Dorinda kept;
And but rid to take the Air.

    xxvii
Yet he does himself excuse;
Nor indeed without a Cause.
For, according to the Lawes,
Why did Chloe once refuse?



Source:
Marvell, Andrew.The Complete Poems.
George deF. Lord, Ed.
London: J. M. Dent & Sons, Ltd., 1984. 31-35.



painting
Rembrandt: Danaë, 1636, The Hermitage at St. Petersburg.

to Andrew Marvell

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Created by Anniina Jokinen on February 9, 1997. Last updated on July 26, 2007.