These essays are not intended to replace library research. They are here to show you what others think about a given subject, and to perhaps spark an interest or an idea in you. To take one of these essays, copy it, and to pass it off as your own is known as plagiarism—academic dishonesty which will result (in every university I've heard tell of) in suspension or dismissal from the university. Not only are your professors as technology savvy as you are, they will not tolerate theft of another's intellectual efforts. Nota bene: Background and code copyright ©1996-2010 Anniina Jokinen. All rights reserved. John Marston (?1580-1625) =Student Essay Dissertation: Violent Performance: A Cultural Analysis of the Intersection of Violence and Embedded Performance              in Elizabethan and Jacobean Tragedy - Geoffrey A. Booth [.pdf] Thesis: Men Disguised as Women in Elizabethan Drama - Marion S. Karr [.pdf] Marston's The Fawn, the "Other" Self, and the Problem of Belief - Donald Beecher [.pdf] Being Seen is Believing: Spectacle, Ethics, and the Others of Belief in Elizabethan Revenge Tragedy - Grant Williams [.pdf] 'Low Comedy' and Political Cynicism: Parodies of the Jacobean Disguised-Duke Play - Michael J. Redmond Marston's The Metamorphosis of Pigmalion's Image: The Ovidian Myth Revisited - Sonia Hernández Santano Disgusting John Marston: Sensationalism and the Limits of A Post-Modern Marston - Georgia Brown [.pdf] Safety in Fiction: Recreational Strategies for Readers and Audiences in the Work of John Marston - Patrick Buckridge "Honesty and vulgar praise": The Poet's War and the Literary Field - Edward Gieskes Cannibalism and the Act of Revenge in Tudor-Stuart Drama - Raymond J. Rice John Marston's Entertainment at Ashby and the 1606 Fleet Conduit Eclogue - Matthew Steggle The Sacralization of Revenge in Antonio's Revenge - Phoebe S. Spinrad Writing and Revenge: John Marston's Histriomastix - James P. Bednarz Temporizing as Pyrrhonizing in Marston's The Malcontent - William M. Hamlin Borrowings and the Authorial Domain: Gostanzo, Polonius, and Marston's Gonzago - Charles Cathcart Political Allegory in Late Elizabethan and Early Jacobean "Turk" Plays: Lust's Dominion and The Turke - Claire Jowitt On John Marston - Algernon Swinburne On Marston, Chapman, Deckar, Webster - William Hazlitt The Satire of John Marston (1920) - Morse S. Allen John Marston at the 'mart of woe': The 'Antonio' plays - Rick Bowers [.pdf] Excerpts from Bednarz' Representing Jonson: Histriomastix and the Origin of the Poets' War Reassessing the Use of Doubling in Marston's Antonio and Mellida - Jeffrey Kahan Response to Kahan's "Reassessing the Use of Doubling, &c." - Richard Fotheringham Music in John Marston's The Malcontent - Peter Winterburn Plural Authorship, Attribution, and the Children of the King's Revels - Charles Cathcart "A critical sense worthy of respect": John Marston and the early poetics of Robert Penn Warren - John C. Van Dyke Banquets of the Senses: Elizabethan Ovidianism and its Discontents - Stephen Clucas [.pdf] "Cease Cease to bawle, thou wasp-stung Satyrist:" Writers, Printers, and the Bishops' Ban of 1599 - Cliff Forshaw [.pdf] Religion, Politics, Revenge: The Dead in Renaissance Drama - Thomas Rist Sex and Commodity - Lubin, Terlato, & Yovovich Marston | Life | Works | Links | Books | Renaissance Drama | 17th C. Eng. Lit. Site copyright ©1996-2010 Anniina Jokinen. All Rights Reserved. Created by Anniina Jokinen on December 15, 1999. Last updated on May 29, 2010.