The Metamorphosis of  Pigmalion's Image
By John Marston



THE ARGUMENT OF THE POEM.        

IGMALION,   whose  chast  mind  all   the   beauties  in
   Cyprus  could not ensnare,  yet,  at  the  length  having
carved  in  ivorie  an  excellent  proportion  of   a  beauteous
woman,  was  so  deeplie  enamored on  his  owne  workman-
ship  that  he would oftentimes  lay  the image in  bedde  with
him,  and  fondlie  use  such  petitions  and  dalliance  as  if  it
had  been  a  breathing  creature.      But  in  the  end,   finding
his   fond  dotage,  and  yet  persevering  in  his  ardent  affec-
tion,  made  his  devout  prayers  to   Venus,  that  she  would
vouchsafe to enspire life into his love,  and  then joyne them
both together in marriage.     Whereupon,  Venus  graciously
condiscending to his earnest sute, the mayde, (by the power
of   her  deitie)   was  metamorphosed  into  a  living  woman.
And  after,  Pigmalion  (beeing  in  Cyprus)  begat  a  sonne of
her,    which   was   called   Paphus;     whereupon   that   iland
Cyprus,  in  honor  of  Venus,  was  after,  and  is  now,  called
by the inhabitants, Paphos.




Source:
The Works of John Marston, Vol. III.
J. O. Halliwell [Halliwell-Phillips], ed.
London: John Russell Smith, 1856. 201.





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