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Taddeo di Bartolo. Annunciation Triptych (center panel), c1400. Pinacoteca Nazionale, Siena.

A Carol to the Trinity

[Bodleian MS. Eng. poet. e. 1. f.31r.]

XV cent

Off al the knottes that I se
I prese the knot in Trinite

[I]     
An aungell fro heu[e]n gan lyth;
A greth a maydyn that was so bryth;
A treu knot ther was knyt
    Betwyn them both in Trinyte

[2]     
After this that fayyrly fod,
For hus he bled his hart blod
Qwan he was don on the rod,
    The knottes war knit with nales ııı

[3]     
Wettnes of apostyll Johan
He rose hup and wold gon,
The knot was knyt with marbyl ston
    Thorow the vertu of the Trinyte

[4]     
On Scher Thursday he steyd to heu[e]n,
Hys Fader hym blyssyd with myld steu[e]n,
For to fulfyll the deddes wyll,
    The knot was knit with persons ııı

[5]     
God xal rysyn at domusday
Hys v knottes for to spray;
To al men he xal say,
    'Lo, man, wat knot I knyt for the'*
  knots (i.e. mysteries)
praise



descend
he greeteth, bright
knot (i.e. bond)


fair baby
us
when
three nails


witness
up




Shire aka Maundy Thursday
mild voice




shall
5 wounds to display

thee




* wat knot I knyt for the, in three senses:
1. What Mystery I have here created for you;
2. What bond I have created between us; and,
3. What wound I have healed for you (i.e. death/eternal life).




Glosses and note by Anniina Jokinen.

Song text from:

Early English Carols. Richard Leighton Greene, Ed.
Oxford: Clarendon Press, 1935. 198.





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