Luminarium: Anthology of English Literature Tudor Rose Mary (Sidney) Herbert

Mary Sidney | Biography | Works | Essays | Online Resources | Renaissance English Literature

Medieval

Renaissance

Seventeenth Century

Eighteenth Century

Encyclopedia



 

Miniature of Mary Sidney Herbert, Countess of Pembroke, c1590, by Nicholas Hilliard. National Portrait Gallery, London.


Mary (Sidney) Herbert (1561-1621)


Mary Sidney was born at Ticknall Place, Bewdley, Worcestershire in England on October 27, 1561, daughter of Sir Henry Sidney, thrice Lord Deputy of Ireland and sister of the poets Sir Philip Sidney and Sir Robert Sidney. She was educated at home in French, Italian, Latin and Greek, and music.
Lady Mary was in great favor with Elizabeth I, who invited her to court in 1575. In 1577 Mary wed Henry Herbert, 2nd Earl of Pembroke—they lived mostly at the Pembroke family estate, Wilton House, near Salisbury, Wiltshire. They had four children, including the two sons, William (later 3rd Earl of Pembroke) and Phillip, to whom Shakespeare's First Folio (1623) was dedicated.
          After her marriage, Mary Herbert, Countess of Pembroke, gathered around her a group of notable poets, musicians, and artists. Among those who praised her patronage of the arts were Edmund Spenser, whose Ruines of Time were dedicated to her, as well as Michael Drayton, Sir John Davies, and Samuel Daniel.2 She was second only to the queen as an Elizabethan femme savante. In 1586 not only Mary's mother and father died, but also her brother Philip, to whose memory she dedicated much of her career. After her husband's death in 1601 she led a private existence, and died in London on 25 September 1621 and was buried in Salisbury Cathedral.
          Her literary works include a composite edition of her brother Philip Sidney's Arcadia, translations of Garnier's tragedy Antoine (1592), Duplessis-Mornay's Discours de la vie et de la mort (1592), and Petrarch's Trionfo della morte (in terza rima), and a few original poems, including dedicatory poems, an elegy for her brother Sir Philip Sidney ("The Dolefull Lay of Clorinda", 1595), and a short pastoral entertainment for Queen Elizabeth. After Philip's death she completed the verse translation of the psalms he had begun, contributing 107 of the 150 psalms. The manuscript was widely circulated and admired, and it influenced many of the great poets of the 17th century, most notably George Herbert and John Donne.


Sources:

  1. Silver Poets of the Sixteenth Century. Douglas Brooks-Davies, ed.
    Rutland, Vermont: Everyman's Library, 1992. 290.
  2. Encyclopaedia Britannica. Online.
  3. The Norton Anthology of English Literature, 6th ed. v1.
    New York: W. W. Norton & Company, 1993. 1046.






Back to Mary Herbert


Site copyright ©1996-2025 Anniina Jokinen. All rights reserved.
Created by Anniina Jokinen on February 28, 1998. Last updated on April 8, 2025.


 



The Tudors

King Henry VII
Elizabeth of York

King Henry VIII
Queen Catherine of Aragon
Queen Anne Boleyn
Queen Jane Seymour
Queen Anne of Cleves
Queen Catherine Howard
Queen Katherine Parr

King Edward VI
Lady Jane Grey
Queen Mary I
Queen Elizabeth I


Renaissance English Writers
Bishop John Fisher
William Tyndale
Sir Thomas More
John Heywood
Thomas Sackville
John Bale
Nicholas Udall
John Skelton
Sir Thomas Wyatt
Henry Howard
Hugh Latimer
Thomas Cranmer
Roger Ascham
Sir Thomas Hoby
John Foxe
George Gascoigne
John Lyly
Thomas Nashe
Sir Philip Sidney
Edmund Spenser
Richard Hooker
Robert Southwell
Robert Greene
George Peele
Thomas Kyd
Edward de Vere
Christopher Marlowe
Anthony Munday
Sir Walter Ralegh
Thomas Hariot
Thomas Campion
Mary Sidney Herbert
Sir John Davies
Samuel Daniel
Michael Drayton
Fulke Greville
Emilia Lanyer
William Shakespeare


Persons of Interest
Visit Encyclopedia


Historical Events
Field of the Cloth of Gold, 1520
Pilgrimage of Grace, 1536
The Babington Plot, 1586
The Spanish Armada, 1588


Elizabethan Theatre
See section
English Renaissance Drama


Images of London:
London in the time of Henry VII. MS. Roy. 16 F. ii.
London, 1510, the earliest view in print
Map of England from Saxton's Descriptio Angliae, 1579
Location Map of Elizabethan London
Plan of the Bankside, Southwark, in Shakespeare's time
Detail of Norden's Map of the Bankside, 1593
Bull and Bear Baiting Rings from the Agas Map (1569-1590, pub. 1631)
Sketch of the Swan Theatre, c. 1596
Westminster in the Seventeenth Century, by Hollar
Visscher's Panoramic View of London, 1616. COLOR



Luminarium | Encyclopedia | What's New | Letter from the Editor | Bookstore | Poster Store | Discussion Forums | Search