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Renaissance Essays: John Heywood
These essays are not intended to replace library research. They are here to
show you what others think about a given subject, and to perhaps spark an
interest or an idea in you. To take one of these essays, copy it, and to pass
it off as your own is known as plagiarism—academic dishonesty which will
result (in every university I've heard tell of) in suspension or dismissal from
the university. Not only are your professors as technology-savvy as you are,
they will not tolerate theft of another's intellectual efforts.
 =Dissertation |
 =Thesis |
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 =Student Essay |
"Goe thou forth my booke": Authorial Self-Assertion and Self-Representation
in Printings of Renaissance Poetry - Ronald S. Renchler
Investigation of John Heywood's Dramatic Growth Revealed in his Interludes - Daniel Molzahn
Staging Reformation: Religious Theater in England, 1525-1553 - Alexandra Whitley
On the Authorship of the Interludes Attributed to John Heywood Harold N. Hillebrand
Interludes from the Court of Henry VIII - Wayne S. Turney
Desacralization in Heywood's A Merry Play betwene the Pardoner and the Frere -
Olena Lilova
"For eche of you one tale shall tell": Religion, Debate and Spectacle
in Heywood's The Foure PP - Roberta Mullini
"Ye seem to have that ye have not": Religious belief and doubt
in John Heywood's The Four PP - Greg Walker
Conscience and Satire in John Heywood's Play of Love - Greg Walker
Ecocritical Heywood and The Play of the Weather - Jennifer Ailles
Laughing at Natural Fools - Sarah Carpenter
Johan Johan: The Politics of Marriage and
Folly in Henrician England - Andrew Hiscock
Tryfyls, Toys, Mokkes, Fables, and Nyfyls: The Government of Fools
and Fabliaux in Johan Johan (1533) - Andrew Hiscock
The Unruly Household in John Heywood's Johan Johan - Sylwia Borowska-Szerszun
The Defence of Religious Orthodoxy in John Heywood's The Pardoner and the Frere - Nicoletta Caputo
Why A Play of Love in 1534 London? John Heywood and Castiglione's Il Cortegiano - Roberta Mullini
"To take on them judgemente": Absolutism and Debate in John Heywood's Plays - Candace Lines
Theatre and Humanism: English Drama in the 16th Century - Kent Cartwright
Dramatic Images of Kingship in Heywood and Bale - Peter Happe
John Heywood's The Spider and the Flie: Educating Queen and Country - Judith Rice Henderson
The Spider, The Fly, and the Commonwealth: The Merrie John Heywood
and Agrarian Class Struggle - James Holstun
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Created by Anniina Jokinen on July 11, 2006. Last updated December 15, 2022.
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Elizabethan Theatre
See section
English Renaissance Drama
Images of London:
London in the time of Henry VII. MS. Roy. 16 F. ii.
London, 1510, the earliest view in print
Map of England from Saxton's Descriptio Angliae, 1579
Location Map of Elizabethan London
Plan of the Bankside, Southwark, in Shakespeare's time
Detail of Norden's Map of the Bankside, 1593
Bull and Bear Baiting Rings from the Agas Map (1569-1590, pub. 1631)
Sketch of the Swan Theatre, c. 1596
Westminster in the Seventeenth Century, by Hollar
Visscher's Panoramic View of London, 1616. COLOR
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John Heywood
