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These essays are not intended to replace library research. They are here to show you what others think about a given subject, and to perhaps spark an interest or an idea in you. To take one of these essays, copy it, and to pass it off as your own is known as plagiarism—academic dishonesty which will result (in every university I've heard tell of) in suspension or dismissal from the university. Not only are your professors as technology-savvy as you are, they will not tolerate theft of another's intellectual efforts.
Nota bene:
Background and code copyright ©1996-2011 Anniina Jokinen.
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Pope's Poetical Works
"Am'rous Causes": A Study of the Love-Melancholy Tradition and its Role
in the Early Works of Alexander Pope - Gary A. Boire
Pope and the Stage Metaphor - Richard F. Atnally
Alexander Pope's opus magnum as Palladian Monument - Cassandra C. Pauley
Alexander Pope's Pastorals: a Study of Their Genesis and Evolution - Harry V. S. Prest
The Treatment of Nature in English Poetry Between Pope and Wordsworth - Myra Reynolds
The Christian Vision of Pope's Eloisa to Abelard - Robert P. Kalmey
Gothic Elements in Pope's Eloisa to Abelard - Marion V. Stoops
Heroic Monarchs, Divine Poets and the Groves of Eden - Lena Ann Sadiwskyj
Irony in Alexander Pope's Five Major Epistles - Adele E. Woollard
Doctrine and Poetry of Pope's Essay on Criticism with Relation to Boileau's Art Poétique - Branko Brusar
Creating the Female/Female Creators: Pope, Women Writers and The Dunciad - Nastasia Kotsovolos
Deceit, Desire, and The Dunciad: Mimetic Theory and Alexander Pope - Allan L. Doolittle
A Savage Spy: The Role of Richard Savage in Composing Pope's Dunciad - Traci Wilmoth
"Between th'extremes to move": Antithesis in Alexander Pope's Art - Kyra E. Marken
The Apologia in Verse Satire: Horace, Persius, Juvenal, and Pope - Dennis Denomy
Pope's Temple of Fame - Alvan Bregman
"So easy to be lost": Poet and Self in Pope's The Temple of Fame - David Wheeler
Pope and the Allegorical Mode - Michael C. Hall
Alexander Pope and Duke Upon Duke: Satiric Context, Aims, and Means - Pat Rogers
Of Dunces and Demons:
Pope’s Allusion to Paradise Lost in The Dunciad - Thomas Bullington
Pope, Publishing, and Popular Interpretations of the 'Dunciad Variorum' - Shef Rogers
The Dunciad and the City: Pope and Heterotopia - Brean Hammond
The "Garbage Heap" of Memory: At Play in Pope's Archives of Dulness - Harold Weber
Imitation in Pope's Eloisa to Abelard - Debra Leissner
Precious to Grace: Necessary Desolation in Pope's Eloisa to Abelard - Mary Elizabeth Hotz
Pope's "Epistle to Bathurst" and the Meaning of Finance - Tom Jones
Wealth and Words: Pope's "Epistle to Bathurst" - James Engell
Alexander Pope's Epistle to Bolingbroke and the Rhetoric of Embodied Exemplarity - Helen Deutsch
Pope and the Rhetoric of Natural Phenomena - Roseanne S. Carrara
Alien Voices, Ancient Echoes: Bakhtin, Dialogism, and Pope's Essay on Criticism - Mary Ellen Bellanca
Pope: Rape of the Lock - Ian McKillop
Alexander Pope's Portrayal of Belinda and her Society
in The Rape of the Lock - Ian Mackean
Commodity and Religion in Pope's The Rape of the Lock - Alex Eric Hernandez
Severed hair from Donne to Pope - Erik Gray
Pope's Ombre Enigmas in The Rape of the Lock - Oliver R. Baker
A Question of Competence: The Card Game in Pope's Rape of the Lock - Kathryn Walls
The Rape of the Lock and the Origins of Game Theory - Sean R. Silver
The Use of Supernatural Machinery in The Rape of the Lock - Beena A. Mahida
Alexander Pope, the Ideal of the Hero, Ovid, and Menippean Satire - Ulrich Broich
Comparison of Swift's "The Lady's Dressing Room" and Pope's "Rape of the Lock" - Susan Siferd
Slouching toward Augusta: Alexander Pope's 1736 "Windsor Forest" - Scott M. Cleary
Defending the Self: Pope and his Horatian poems - John Richardson
Pope's Prose Works
The Letters of Alexander Pope Considered - Henry Hubert Schmitz
Pope as Translator
The Rhetorical Structure of Pope's Iliad: A Study in the Poetics of Augustan Epic - Eileen A. Coumont
Exploring the Literate Blindspot: Alexander Pope's Homer in Light of Milman Parry - Elizabeth A. Hoffman
Annotating a Career: from Pope's Homer to The Dunciad - Howard D. Weinbrot
On the Homer Translations of Hobbes and Pope - Karl Maurer
On Reading Pope's Homer - Garry Wills
Pope as Editor
Alexander Pope's Edition of Shakespeare: An Introduction - A.D.J. Brown
True Light, True Method: Science, Newtonianism, and the Editing of Shakespeare
in Eighteenth-Century England - Gefen Bar-On
Pope and Other Authors
Dryden, Pope, and Swift: Intimacy and Eclecticism - Ian McKillop
Dignity and Certainty in Augustan Satire [Dryden] - Joe Gollner
Comparison of Swift's "The Lady's Dressing Room" and Pope's "Rape of the Lock" - Susan Siferd
'Hand in hand to posterity'? Reading politics in Swift and Pope - Valerie Rumbold
Cato's Ghosts: Pope, Addison, and Opposition Cultural Politics - Jorge Bastos da Silva
Rhyme/Reason, Chaucer/Pope, Icon/Symbol - James I. Wimsatt
Biographical Inquiries into Pope
Pope: Bipolar Implication - Irvin Ehrenpreis
The Influence of Chronic Illness upon the Writings of Alexander Pope - E. M. Papper
Alexander Pope: His Spinal Deformity and His Doctors - O. P. Sharma
"Mighty Mother": Pope and the Maternal - Jane Spencer
Pope and Plagiarism - Richard Terry
The Jacobite Poets of Richmond - Donald Bruce
Nameless Names: Pope, Curll, and the Uses of Anonymity - Pat Rogers
Pope at Chiswick - Jonathan Pritchard
Living on the Margin: Alexander Pope and the Rural Ideal - Claudia Thomas Kairoff
Pope and the Paradoxical Centrality of the Satirist - Thomas Woodman
Alexander Pope and the Somerset Family - Michael Brennan
Pope, John Rackett, and the Slave Trade - Jonathan Pritchard
Pope's Recusancy - Peter Davidson
Miscellaneous
Defining Self and Others: Pope and Eighteenth-century Gender Ideology - Carole Fabricant
Rhyme/Reason, Chaucer/Pope, Icon/Symbol - James I. Wimsatt
Alexander Pope and the Nature of Language - Simon Alderson
The Invisible Border between Art and Nature: Pope's Aesthetic Principles Applied - John D. Tatter
 Alexander Pope: The Portrait of the Artist as a Critic - Matt Kliewer
Site copyright ©1996-2011 Anniina Jokinen. All Rights Reserved.
Page created by Anniina Jokinen on November 2, 2011.
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Alexander Pope
